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CATEGORIES:Arts & Music CREATED:20210302T193926 SUMMARY:Virtual Opening Night Exhibition: (re)Presenting: an Indexical Archive of Silver City WNMU Students present work produced with artist Alia Ali DESCRIPTION:Presented in conjunction with WNMU Expressive Arts.\nVirtual Opening Night  (open to public): March 4, 7 p.m. Registration required, please register he re. (https://wnmu.zoom.us/meeting/register/tJAkcOigrj4sE9f5uVURV8tS9iP2npLM NVXx)\nThis project consists of an artist lecture, student workshops, and a n opening night event featuring work produced during Alia Ali’s workshop, b y WNMU students and faculty. The public is invited to this virtual exhibiti on to examine the objects and listen to the stories of the participants on WNMU’s website. Viewers are encouraged to explore the sound recordings and embrace the notion of oral history and storytelling, while maintaining a cr itical eye on those who create our narratives and archives.\nAlia Ali is a Yemeni-Bosnian-US multi-media artist. Having traveled to sixty-seven countr ies, lived in and between seven, and grown up among five languages, her mos t comfortable mode of communication is through photography, video, and inst allation. Her travels have led her to process the world through interactive experiences and the belief that the damage of translation and interpretati on of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding.\nIn Al ia’s artist talk on February 25, (available here (https://www.youtube.com/w atch?v=7fIuyte2kXE&feature=youtu.be)) she discussed her work and how it reflects on the politics of contested notions of linguistics, identity, bo rders, universality, colonization, mental/physical confinement, and the inh erent dualism that exists in each of them. She will then introduce her proj ect, (re)Presenting: an Indexical Archive of Silver City, which is part of the Journey of the Storyteller- Notion of Place workshop series. In Alia’s project, students from across disciplines at WNMU, collectively, will be re thinking archives in terms of how objects (mis)represent the communities th at they come from. The idea behind the workshop is anchored in the notion t hat marginalized communities have been excluded from the dominant historica l and cultural archives. \n X-ALT-DESC;FMTTYPE=text/html:

Presented in conjunction with WNMU Expressive Arts.

Virtual O pening Night (open to public): March 4, 7 p.m. Registration requi red, please register here.

This project consists of an artist lecture, student workshops, and an opening night event featuring work produced during Alia Ali’s works hop, by WNMU students and faculty. The public is invited to this virtu al exhibition to examine the objects and listen to the stories of the participants on WNMU’s website. Viewers are encouraged to explore the sound recordings and embrace the notion of oral history and storytelling, while maintaining a critical eye on those who create our narratives and archives.

Alia Ali is a Yemeni-Bosnian-US multi-media artist. Having traveled to sixty-seven countries, lived in and between seven, and grown up among fi ve languages, her most comfortable mode of communication is through photogr aphy, video, and installation. Her travels have led her to process the worl d through interactive experiences and the belief that the damage of transla tion and interpretation of written language has dis-served particular commu nities, resulting in the threat of their exclusion, rather than a means of understanding.

In Alia’s artist talk on February 25, (available here) she discussed her work and ho w it reflects on the politics of contested notions of linguistics, identity , borders, universality, colonization, mental/physical confinement, and the inherent dualism that exists in each of them. She will then introduce her project, (re)Presenting: an Indexical Archive of Silver City, which is part of the Journey of the Storyteller- Notion of Place workshop series. In Alia’s project, students from across disciplines at WNMU, colle ctively, will be rethinking archives in terms of how objects (mis)represent the communities that they come from. The idea behind the workshop is ancho red in the notion that marginalized communities have been excluded from the dominant historical and cultural archives. 

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